At the West Bottoms, Kansas City
My grandmother showed me old pictures of the West Bottoms an industrial flatland rail next to rail next to rail— tracks lying together like matchsticks in a pack. Her eyes studied those old photos. The West Bottoms reminded her of a time ago. She is the oracle
of dusty remains shattered windows clusters of brick buildings in disarray warehouse ghosts abandoned lots derelict train cars of rail next to rail next to rail next to rail
next to nothing of a time ago.
Grandmother said: “Stand alert. Do not attempt to go out in a burst of light.” I kicked dust up near the tracks with my sneakers
and she is the oracle.
At Golden Gardens, Seattle
I am the tracker
my ear to the ground I hear the dull hum of metal vibrating through the earth. A rhythmic clink
scratching steel ties. Such a strange mechanic language laced with the dull voices of hundreds of passengers. Her pulse a few quick clinks Rabid now. Panting
until her cold whistle is on top of me. Steel and conversations race past my head. A train disappears in the dusty moonlight before I could say she was even here.
In the old sunken roads the hola wegs electric grass blades stand alert like tiny soldiers. A growing orb yellow light breaks the oily dark whistle, shrill steel, sweaty.
Soldier grass blades swirl in the wind [some hunker in the dirt, some waver] but most fly away with the train. They are stuck in the wheel axles. In the rusty metal joints. Under the bottoms of my old, tired West Bottoms feet
and I am the tracker.
Carrie Redway is a writer and mixed media artist in Seattle, WA. She is inspired by myth, folklore and ritual. Her work has appeared or is forthcoming in Really System, Sick Lit Magazine, Picaroon Poetry, sea foam mag and Halo Literary Magazine. Find her @carrie_redway and on Tumblr.